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Probably one of my most anticipated albums of 2009, Lucero didn't disappoint with their official major label debut (Liberty & Lament was a sort of major label minor leagues, and Universal Republic was smart enough to make the call up). This is an instantly memorable album that quickly brought a smile to my face. The energy is high, and the songs (or at least a surprising chunk of them) have an uplifting spirit to them. This was just what I was looking for.
The obvious focal point of Lucero is Ben Nichols' voice. With a cigarette and whiskey laced voice that is instantly recognizable and unique, Nichols turns this album into instant gold (though this is an incredibly talented group of musicians made even more mind blowing with a horn section and a steel guitarist). He has the uncanny ability to make the listener want to cry in a gutter swimming in alcohol or happily grab a partner, kick off the old shoes and dance the night away without a worry in the world; sometimes both at the same time. The music also helps a lot, adding to the emotion Nichols brings to the table (or vice versa). Regardless, Lucero is a band that brings out feelings, which is a main reason we listen to music in the first place.
This is very much a Lucero album, though with a few twists. As mentioned in the above paragraph, there is a horn section and a steel guitarist. The horn section adds such a dance feel; one reminiscent of early sock hops or Blues clubs; something different and unique for 2009. This album was written to get people up and their feet moving. Dance along, sing along, get swept up in the emotion of 1372 Overton Park.